In the early 1700s, Scots from clans loyal to the British ruling government had been recruited into local law keeping forces and later as more formal militia. Allowed to dress and employ traditional Highland garb and weapons, Scottish forces would serve the British military cause from the European mainland to Egypt to the Caribbean to India over the next two centuries. Three Highlander regiments — the 42nd, 77th and 78th — would distinguish themselves in service of the Crown’s rule in the first major 18th-century conflict of British North America, the French and Indian War (1756-1763).
The Highland Regiment Exercising on Glasgow Green, 1758 (artist unknown)
The 42nd (Royal Highland) Regiment of Foot set sail for North America in January of 1757 and landed in April. During their time in the colonies, these Scotsmen would participate in many key battles of the FIW, including the Battle of Carillion (1758) and the capture of Fort Ticonderoga (1759). After the war, the 42nd Foot spent time in Pennsylvania at Fort Pitt and Fort Ligonier before fighting in one of their most famed battles during Pontiac’s Rebellion at Bushy Run, Pennsylvania in August 1763.
Aside from a general collection of FIW books, I turned to a copy of Osprey Publishing’s Highlander in the French-Indian War, 1756–67 by Ian Macpherson McCulloch. The book focuses on three Highlander regiments of the period, including the 42nd Foot I’ve chosen to model. The historic background, period illustrations and contemporary plates make this a great foundation for anyone wanting to learn a bit more about the Highland regiments of the period. One plate in particular portrays detail of uniform and equipment of a typical c. 1756 private of the 42nd Foot — just the inspiration I needed as I worked on fielding my very first Highlander models.
I managed to score a half-dozen Highlanders from North Star Military Figures at half price during a recent close-out sale. Sadly, North Star is mothballing their FIW line of models for the time being as Studio Tomahawk works toward a future second edition of the popular Muskets & Tomahawks wargaming rules. I had previously painted up some of their French Canadian miniatures and I still have some of their Indians in my painting queue, so I was glad to add a few of their Highlanders to my collection while I could.
The 18th-century is fun to paint for the diversity of uniforms, weapons and mode of dress, and these Highlanders were no exceptions. This was my first go at tartan kilts, so I sunk some time into watching how-to videos online. I went with a simple technique of dark blue undercoat followed by layered grids of varying greens and greys to approximate the signature tartan of the 42nd Foot. Close-up it looks a bit pointillistic, but at arm’s length on the table I was pretty satisfied with the results.
The rest of the figures were a bit more straight forward with red jackets and blue bonnets (or “tams”) with red balls on the top and red lacing at the brim. The officer also got some fancy stockings with an angled cross-hatched plaid of white and red. Having just six of the North Star Highlander models completed, I wish I had bought more before they became impossible to get. That said, I’ll be tracking down some more from other manufacturers so I can better field a large force of the 42nd Royal Highlanders.
When British General Edward Braddock launched his campaign through the Ohio Country to Fort Duquesne in the spring of 1755, the call went out for wagons. With some 2,000 soldiers at his command, Braddock was a typical commander of the French and Indian War era whose plans rested heavily on the support of local civilians willing to port the tons of supplied needed for a planned siege some 110 miles away.
After initial appeals were largely ignored by a population not particularly pleased with existing British colonial governance, appeals by Benjamin Franklin to his Pennsylvania countrymen finally yielded the needed transports for the campaign. An excellent 1959 publication from the Smithsonian Institution by Don H. Berkebile, Conestoga Wagons In Braddock’s Campaign, 1755, provides great detail on the supply train in Braddock’s campaign. Some 150 locally-provided wagons combined with Braddock’s own to form nearly 200 transports carrying powder, ammunition, food and other goods necessary for such an undertaking into the relatively untamed wilderness. Additionally, Braddock also had five six-pound guns, four twelve-pound guns, three coehorns and four howitzers in tow with the design on breaking French control in the region.
Map of Braddock’s Road (John Kennedy Lacock, 1912)
Cutting trees, clearing brush, fording streams, blasting rock and transversing the steep hills and mountains of Western Pennsylvania, Braddock’s miles-long force moved along a 12 foot wide path at just two miles a day. George Washington, then a young British Colonel, had cautioned his mentor Braddock against reliance on wagons in the rough wilderness and advocated the use of pack animals instead. Braddock’s column certainly contained dozens of horses and scores of cattle, but the majority of supplies rode on wagons in a European style uniformed by the roughness of North America’s backcountry. When the advance force of Braddock’s line was ambushed at the Battle of the Monongahela by the French and French-allied Indians on July 9, 1755, the soldiers and civilian supply train was thrown into chaos. By the end of the day, the disordered column was in hasty retreat, Braddock was dead and Washington was forever changed after having witnessed the death of his role model.
Farmer John Shreiner and his Conestoga Wagon, Lancaster County, PA, circa 1910
As Berkebile’s article points out, the exact number and make-up of the types wagons mustered for Braddock’s campaign is unknown. There is no doubt conestoga wagons, invented in Pennsylvania in the 1730s, made up some part of the supply column. State of the art for the era, conestoga wagons became icons of the American frontier for their multiple ton capacity, wide wheels and ruggedness. Other transports such as tumbrels and powder wagons supplemented the carrying load for Braddock.
For my FIW transports I’ve gone with a number of models from Perry Miniatures. Cast in metal and resin, these hefty models are cast with great detail and each are accompanied by civilians who provided the skill needed for the campaign. With five wagons completed, I have plenty of transports ready to represent Braddock’s or other FIW era armies heading into the wilds of the North American wilderness.
Conestoga wagon by Perry Miniatures
Two horse lumber with six pound gun by Perry Miniatures
Four wheeled ammunition wagon by Perry Miniatures
Two wheeled tumbrel by Perry Miniatures
Two wheeled powder wagon by Perry Miniatures
Ask the average person to describe an 18th-century army in the North American colonies during the French and Indian War and you’ll probably get a lot of images of tricorne hats, muskets and guys in regular uniforms marching in lines across open fields. The role of civilians often doesn’t come up, but their importance was of the utmost to armies of the period.
Map of Braddock’s Road (John Kennedy Lacock, 1912)
When British General Edward Braddock set off into the Ohio Country wilderness in 1755 to lay a planned siege at Fort Duquesne, his column of some 2,000 soldiers also contained civilians. These men (and a couple dozen women) served as scouts, laborers, wagoneers, animal herders, cooks, blacksmiths, carpenters and all manner of other roles commonly found in the era.
On the Braddock Campaign, scouts included backcountry notable, local landowner and fur trader John Fraser. Among the hired teamsters were Daniel Morgan and a young Daniel Boone. The wilderness expertise of these historic figures and those whose names are since lost was key in navigating the miles-long column as civilian laborers hacked their way through the woods of Southwestern Pennsylvania at a rate of just a couple miles a day.
I found a bunch of civilian figures in the flea market are at this year’s HMGS Cold Wars convention. At just a buck or two each, I managed to snag a nice variety of workers from Fife & Drum Miniatures plus some pack animals and a mounted scout from the Old West line from Wargames Foundry. The metal sculpts provide a lot of unique models which were a nice break from regular poses of the FIW French and British soldiers I’ve been collecting over the past year. Painting the civilians and pack animals also allowed for some less historical freedom and creativity.
My finished figures are going to come in handy as I build out some Braddock-themed scenarios in the coming months. Having completed a few, I’ll also be looking to add more civilians to my forces in support of the masses of troops on my FIW game tables.
Minden Miniatures laborers from Fife & Drum Miniatures
Scout and pack animals from Wargames Foundry
The French and Indian War (1754-1763) called for new tactics for old, professional armies steeped in traditional European warfare. With hostilities among French, French-allied Indians and Canadians, British and colonists of all stripes erupting over territorial disputes on the frontier of North America, locally-mustered soldiers were of paramount importance to all sides.
Robert Rogers, born in Massachusetts of Irish immigrants in 1731, was key in raising forces in New Hampshire for the British in the mid 1750s on the eve of the conflict. With animosity toward Indians in the region, his recruits formed what came to be known as Rogers’ Rangers. Operating out of Northeastern and Central New York, the company of some 600 men who formed Rogers’ Rangers participated in some of the key actions of the war including the Battles on Snowshoes and the Battle of Carillon, both in 1758.
Aside from his leadership during the FIW, he also contributed significantly with his “Rules of Ranging.” Written in 1757, the 28 rules provide an outline for the discipline and tactics which defined Rogers’ own brand of guerilla-style wilderness war. So visionary in their combination of Native American style warfare with some European principles for the rules of war, some version of these have been used by US Army Rangers to this day.
Following the end of the FIW, Rogers continued to work with the British military during Pontiac’s Rebellion that swept through the Great Lakes in 1763-1766 and finally during the American War of Independence in the 1770s and 1780s. Despite having devoted his entire adult life to warring on behalf of the British in North America, Rogers died in 1795 poor and in obscurity in England at the age of 63.
Rogers’ Rangers in Popular Culture
Robert Rogers has managed to hold considerable space in pop culture for generations. Even though his alliances were with British rule during his decades-long career, his legend rests squarely within a particular type of colorful American frontier character who succeeds by breaking the rules and forging his own path. The persistence of his legacy has been helped by comics, books, movies and TV shows that continue to today.
Northwest Passage, the 1937 bestseller by Kenneth Roberts, probably did the most keep the legacy of Rogers alive in pop culture. The book’s popularity led to a 1940 MGM epic starring Spencer Tracy. Nearly two decades later, Rogers came to life anew in a 1958-1959 NBC half-hour show of the same name. This time Buddy Ebsen portrayed the famed ranger during the post-World War II boom in western and frontier pop culture.
The modern iteration of Robert Rogers appears in the AMC series TURN: Washington’s Spies, now into a fourth season. While the story focuses on the spy network surrounding New York City in the early days of the American Revolution, considerable space is given to Rogers and his complicated relationship with the British a decade after the FIW.
Modelling Rogers’ Rangers
For my Rogers’ Rangers, I’ve turned again to Galloping Major Wargames. GM figures, like those I modeled as my FIW Virginia Provincials, have a chunkier heroic 28mm scale I love for their detail and personality. The ranger miniatures offer some variety of irregular outfits and weapons including muskets and hatchets. Headgear include the signature bonnets as well as tricorn and rounded jockey hats with fronts cut and cocked back to the crown and detailed with white edging.
The famed short forest green jackets are detailed with lighter green lapels and cuffs finished with silver buttons over earthy red vests. For leggings, I mixed the figures up with colors ranging from a light brown buckskin to a more colorful blue.
Together, I feel my painted Rogers’ Rangers typify how they would have looked as they fought in the fields and forests of 18th-century North America.
Major Robert Rogers and “Duke” Jacob, a freed former slave who is said to have been a member of Rogers’ Rangers
One of the remarkable things about history is how individuals taking part in small events can carry weight across generations and around the world. George Washington was one of these people over and over again throughout his life. Washington wanted nothing more than to rise through the ranks of the British military, earning glory and status as part of what had become the most powerful colonial force of the 18th-century. Three formative events occurred for Washington in 1754 and 1755 as a British Colonial officer on the rise, and his fate would become wrapped up in what would become the French and Indian War.
“Death of Jumonville”
Art and Picture Collection, The New York Public Library. (1859).
In the spring of 1754, a newly-promoted 21-year-old Lt. Col. Washington in command of the Virginia Regiment was sent into the Ohio Country of Western Pennsylvania to provide assistance to British fort and road construction. Accompanied by Mingo leader Tanacharison (also known as “The Half King”), a dozen Indians and 40 Virginians, Washington encountered a French-Canadian scouting party on May 28, 1754. Washington’s ambush of the French in what would become known as the Battle of Jumonville Glen quickly devolved into The Half King’s surprise killing of the French Canadian commander Joseph Coulon de Jumonville. Although a victory for Washington, the affair rattled the young officer. The event also escalated hostilities between the French and British in North America, contributing directly to the beginning of the FIW.
“The Night Council at Fort Necessity”
Art and Picture Collection, The New York Public Library. (1856).
Anticipating French retribution, Washington and his Virginians fell back to a nearby meadow and began work on a hasty stockade fort. On July 3, some 600 French, French-Canadians and French-allied Indians attacked at the Battle of Fort Necessity. Outnumbered with just 400 men, Washington surrendered at day’s end after a rainy, muddy and bloody fight. In signing the terms with the French, Washington may have inadvertently admitted to the murder of Jumonville. Again, Washington’s stature in the British military was used as propaganda in France to further stoke the fires of war in the American Colonies.
“The Fall of Braddock”
Painted by C. Schuessele, engraved by J.B. Allen, Virtue, Emmins & Co., New York. (1859)
With the war amping up, British Major General Edward Braddock arrived in the colonies in 1755 and set about a campaign deep into the Ohio Country to attempt again to oust the French. Beginning in May of that year, the ambitious campaign began with Washington at his mentor Braddock’s side leading over 2000 soldiers and ten cannon into the wilderness. The troubled and often stalled campaign finally arrived near their destination of Fort Duquesne (at present-day Pittsburgh, Pennsylvania) on July 9, 1755. In the chaotic ambush, hundreds of Indians and French set upon the British advance column. In the ensuing battle Braddock was shot and eventually succumbed. Washington was devastated by the loss of his role model in another emotional loss that would weigh in him for years.
These events in the early career would go on to effect Washington for the rest of his life. His experience in the war and his rise within and eventual rejection by the British military system cannot be understated for how they molded Washington as the leader of the American Revolution and President of the United States.
Needless to say, if you’re going to wargame the FIW period, you need a little Colonel Washington on the table. For mine, I turned to Eureka Miniatures. For about $10 they offer a metal cast vignette of Washington dismounted holding the reins of his horse and two of his beloved greyhounds standing faithfully nearby.
Despite the charm of the four-piece set, I really wanted to model Washington with his boots on the ground. I’ll save the horse and dogs for some future project, and glued a spare musket to Washington’s extended hand.
For a painting guide, I used the iconic portrait painted by Charles Wilson Peale in 1772. Although painted after the FIW, the image depicts Washington as a proud British Colonial officer of the war years dressed in his Virginia Regiment uniform.
With Washington, I have the charismatic leader from his early career ready to command forces on the tabletop.
Much of the fighting in the North American colonies for the French in what is known as the French and Indian War was in fact conducted by French-Canadians. As early as the 1740s, Canadians born in New France made up the majority of forces allied with Native Americans in staving off the spread of British settlers into the contested Ohio Country. Years prior, Canadian militia had cut their teeth fighting New England settlers during King William’s War (1688-1697) and Queen Anne’s War (1702-1713).
Well-versed in moving and fighting through the wilderness, these French-Canadian militiamen proved to be highly effective during the FIW against British regular forces yet to adapt to a very regional style of warfare. Their successes at the Battle of Fort Necessity, the Battle of the Monongahela and the Battle of Fort Oswego dealt hefty blows to the British war effort. Irregularly clad in rugged back country clothing and armed with muskets and native hand weapons, the Colonial French militia struck a rugged look as they fought on behalf of the French Crown in Europe.
I’ve begun building out my 28mm French Canadian Militia with a small pack of metal models from North Star Military Figures. Although many companies manufacture figures for the period, North Star serves as the official product line for the popular Muskets and Tomahawks skirmish game.
The main joy of painting these figures is in the variety and personality struck in each model’s clothing, equipment and pose. The imagination can really run wild in painting clothing in a variety of earth tones and muted reds, blues and green. Satchels, often traded with Indians in the period, can also be decorated with geometric patterns mimicking fine native finish work.
The North Star miniatures scale to a full 28mm, a bit taller and heftier than castings from manufactures like Conquest Miniatures and Eureka Miniatures. Those who are familiar with FIW figures from Galloping Major Wargames or Blue Moon Manufacturing will find their equal with these North Star models. That said, the look of these models fit in nicely as part of a rough force fighting the British for control of their frontier homeland of New France.
Blue Moon produces a tight selection of metal 28mm figures in a line called “Drums In The Ohio Valley.” I picked up a box of 30 marching British which includes two commanders, two NCOs, four flag bearers, two drummers and 20 soldiers marching at shoulder arms. The officers all come resting with pole arms, something commonly found in FIW miniatures but little seen in the wooded areas of battle of the period. Four flag bearers were twice as many as I needed and the drummers are nice to have but not necessary at the skirmish scale and rulesets I play. I set these figures aside for another day and turned to the many body of troops.
Blue Moon British stand ready to receive paint
Since these models are going to be sharing the table with my other British from Conquest Miniatures sold by Warlord Games, I made some immediate comparisons in casting and scales. The Conquest figures tend to be a bit thin and lean toward 25mm. The chunkier Blue Moon miniatures are a full 28mm and more heroic in scale. My Virginia Provincials from Galloping Major scale more equally with these Blue Moon models.
Thick base (right) filed to a thinner height (left)
A main factor in driving the size differential among manufacturers is that the Blue Moon British stand overly tall on thick bases. I had been forewarned of this but I was pretty surprised at how this little extra amount of metal made the size noticeably different. With some tedious cutting and filing, I brought them down a bit in height to be a bit more in line with the height of the Conquest models.
Brass rod inserted as a flag pole
The flag bearers also required some small brass rod to be cut and inserted through holes I drilled through their hands. This gave me the excuse to acquire a pin vise drill, a long overdue addition to my hobby kit. In all, there was a lot of prep work on the Blue Moon figures before I could start any painting.
My painting area swarming with British being prepped for painting
The Blue Moon line of figures fits exactly with my focus for the war. I’m painting all my British soldiers of the period to represent the 44th Regiment of Foot mostly for their presence in the Ohio Country, specifically in the Braddock Expedition and the Battle of the Monongahela.
Based and ready for priming
After basing the models on washers, filling the bases with rough wood filler and spraying a black primer coat, I blocked in the colors. I didn’t get carried away on exact colors, relying on a basic red for the coats, waistcoats and pants, basic yellow for the facings and a brown buff for the leggings.
Coats and leggings blocked in starting on hat trim
Details begun on the lapels, turn backs and cuffs
The cuffs were done in two steps, first with a thick bright white stripe and then finished with a thin line of yellow. With a fine brush, white details were added on the basic black tricorn hats and on trim to the waistcoats and lapels.
Equipment straps and white uniform detail progressing
Most colors blocked in and just needing some final details, clean-up and shading
Details were finished off with the same brown buff on stripes and belts, a basic brown to the guns and metal to finish off the guns, bayonets and officer swords. Finally, flesh and eyes were painted. Exposed skin and the leather leggings and straps got a careful light coat of brown wash to finish the painting. I had leftover flag photocopies from my previous British so my standards would all blend together nicely. Finally, the bases were covered with my favorite groundcover – Green Adirondack from Scenic Express.