French and Indian War: Woodland Indians from Sash and Saber Castings

In the summer of 2018, Sash and Saber Castings launched a Kickstarter for one of the most massively comprehensive lines of French and Indian War miniatures available. Owner and designer Chris Hughes has proven himself over the past 20 years in creating a huge catalog of metal 40mm and 28mm miniatures spanning hundreds of years of military history. His 28mm FIW launch was quickly funded by campaign backers, unlocked a number of stretch goals along the way, and shipping proceeded at a swift pace by the spring of 2019.

The miniatures in the Sash and Saber FIW collection cover British, French, Indian soldiers, warriors, mounted leaders, casualties, artillery and civilians of all types over some 100 different packs of four figures each. Less common models such as figures in winter clothes on snowshoes and some much-needed women and children help make this offering one of the most welcome and unique offerings for the period.

I ordered a bunch of British Provincials and several of the Indian packs, including Iroquois Firing (FW11), Iroquois Advancing (FW13), Iroquois with Clubs and Tomahawks, and Iroquois Leaders (FW1201). The figures carry a lot of detail in sculpts that lean a bit on a more natural scale tipping a bit toward 25mm rather than the chunkier, heroic figures found in other manufacturer lines. Many of the Iroquois come dressed in more European-influenced trade clothes while some wear more traditional bucksin leggings and loincloths, both styles reflecting the evolving culture clash of the 18th-century frontier.

The full line is now available on the company’s website, retailing for $8 a pack. With some of these models already gracing my tabletop scenarios, I’ll be certain to be slowly adding more to my collection over time.

French and Indian War: Woodland Indians from Redoubt Enterprises

The UK-based Redoubt Enterprises carries an enormous variety of metal miniatures including pirates, ancients, Renaissance, English Civil War, American Civil War, Napoleonics and several ranges of colonials figures, icluding nearly 200 separate choices of models for the French and Indian War.

Their FIW line includes vast selections of British, French and Indian models, including warriors, canoes and civillians. Sculpts from Redoubt tend toward a traditional, heroic scale that tips heavily toward 28mm with chunky casts filled with unique personality that are a joy to paint and really pop on the table.

The ‘warriors with firebrands’ pack includes a raiding party, armed with blazing torches and a leader drinking from a clay vessel. The models are great for attacks on villages, farms and fortifications on the frontier. These are unique, ferocious characters modelled to bring high drama to the tabletop.

Another favorite is the ‘sachems and warchiefs’ set. These models are a mix of calm Indian leaders wrapped in a blanket with a mystical crow’s wing, holding forth a wampum belt and standing gracefully in a commanding pose. Others in the pack show more agressive leaders on the run and commanding their people in the field, looking to roll back the onslaught of European incurisions into their lands.

Both sets have brought a great deal of variety and personality to the regular warrior models from other manufacturers in my collection — moreso than just about almost any other company. For miniatures wargaming, they offer an opportunity to inject roleplay into games with the story each sculpt looks to tell — a welcome place in any gaming session with a wide range of characters to act.

French and Indian War: Woodland Indians from Galloping Major Wargames

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To add yet more Indians to my French and Indian War 28mm collection, I’ve turned again to a current favorite miniatures manufacturers — Galloping Major Wargames. After a recent project using GM’s Provincials and supporting their recent French Marines Kickstarter, I filled out a direct order from the UK with a few of their Indian models which didn’t disappoint.
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GM miniatures are the among the largest in my collection, cast at a 28mm heroic scale. That said, I found my first purchase of their Indians to be just a bit smaller than their other figures I own. The size of the models presents the opportunity for a lot of detail and individual personality, especially in some great facial expressions.
These Indians present a more traditional look with chests bared and dress in leather loincloths and leggings. Knives, hatchets, jewelry, powder horns and various shoulder-slung bags equip these figures nicely for any campaign. As a bonus, the six figures I ordered were supplemented with a seventh figure thrown in for free, a nice thing GM offers to larger orders. And with these Indians complete, I’m sure there will be more of those orders to Galloping Major Wargames in my future.
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French and Indian War: Woodland Indians from Knuckleduster Miniatures

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In my recent quest to add more variety to my French and Indian War Native American forces, I’ve had to look a bit beyond the usual FIW miniatures manufacturers. My core requirements in seeking new models is that they are metal, a reasonable representation of tribes present during the FIW period and that they scale well at 28mm with my other models. With this criteria in mind, I was happy to stumble across a rack of Knuckleduster Miniatures at a convention earlier this year.
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Knuckleduster, as the name evokes, focuses largely on an expanding line of Old West themed miniatures in 25mm, 28mm and 40mm scales. Beyond this core offering, they also have a small selection of British, American and Canadian soldiers for the War of 1812. And, it’s within this era’s figures where you will find a small collection of Native Americans usable in the FIW.
Packaged as “Grand River Nation” Indians, Knuckleduster offers two packs of six models, one in summer dress and one in winter clothing, plus a two-model leader pack. I picked up the summer dress pack for $10, a pretty good deal for a half dozen metal models cast at a true 28mm scale. These are really beefy models with lumpy facial features but with some nice detail in jewelry and clothing. Their dress generally depicts the European-influenced style from trade goods many Indians wore during the FIW era. And, it is their scale, style and variety that makes these a great hidden find for my Native force collection.
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French and Indian War: Woodland Indians from North Star Military Figures

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With the majority of my core 28mm forces for my French and Indian War gaming complete, I’ve been focusing on filling out my model variety with more Indian figures from a number of manufacturers. The FIW lends itself to having a lot of different Native American models on the table, given the numerous North American tribes which participated in the conflict. Most of my Indians are from Conquest Miniatures distributed by Warlord Games but my next few posts are focusing on some small units I’ve been adding from other makers.
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First up are a half dozen figures from North Star Military Figures. Until recently, Northstar was manufacturing figures packaged specifically for use with the very popular Muskets & Tomahawks rules set. With a second edition of M&T pending at some unnamed future date, Northstar recently put their figure line on hold.
Fortunately I had grabbed a pack of Indian reinforcements at a convention earlier this year. The six models, armed with muskets and hatchets, all come with nice detail of equipment, jewelry and some hooded frocks. I chose to paint them in colorful reds, greens and blues, reflecting the steady trade of European goods during the era. The sculpts are solid with a real 28mm feel a bit larger than my Conquests which stand closer to 25mm. With these Northstar Indians, my native forces have grown in variety and scale as I build out a larger group of allies for my French.
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French and Indian War: Rogers’ Rangers From Galloping Major Wargames

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The French and Indian War (1754-1763) called for new tactics for old, professional armies steeped in traditional European warfare. With hostilities among French, French-allied Indians and Canadians, British and colonists of all stripes erupting over territorial disputes on the frontier of North America, locally-mustered soldiers were of paramount importance to all sides.

Robert Rogers, born in Massachusetts of Irish immigrants in 1731, was key in raising forces in New Hampshire for the British in the mid 1750s on the eve of the conflict. With animosity toward Indians in the region, his recruits formed what came to be known as Rogers’ Rangers. Operating out of Northeastern and Central New York, the company of some 600 men who formed Rogers’ Rangers participated in some of the key actions of the war including the Battles on Snowshoes and the Battle of Carillon, both in 1758.

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Aside from his leadership during the FIW, he also contributed significantly with his “Rules of Ranging.” Written in 1757, the 28 rules provide an outline for the discipline and tactics which defined Rogers’ own brand of guerilla-style wilderness war. So visionary in their combination of Native American style warfare with some European principles for the rules of war, some version of these have been used by US Army Rangers to this day.

Following the end of the FIW, Rogers continued to work with the British military during Pontiac’s Rebellion that swept through the Great Lakes in 1763-1766 and finally during the American War of Independence in the 1770s and 1780s. Despite having devoted his entire adult life to warring on behalf of the British in North America, Rogers died in 1795 poor and in obscurity in England at the age of 63.

Rogers’ Rangers in Popular Culture

Robert Rogers has managed to hold considerable space in pop culture for generations. Even though his alliances were with British rule during his decades-long career, his legend rests squarely within a particular type of colorful American frontier character who succeeds by breaking the rules and forging his own path. The persistence of his legacy has been helped by comics, books, movies and TV shows that continue to today.

Northwest Passage, the 1937 bestseller by Kenneth Roberts, probably did the most keep the legacy of Rogers alive in pop culture. The book’s popularity led to a 1940 MGM epic starring Spencer Tracy. Nearly two decades later, Rogers came to life anew in a 1958-1959 NBC half-hour show of the same name. This time Buddy Ebsen portrayed the famed ranger during the post-World War II boom in western and frontier pop culture.

The modern iteration of Robert Rogers appears in the AMC series TURN: Washington’s Spies, now into a fourth season. While the story focuses on the spy network surrounding New York City in the early days of the American Revolution, considerable space is given to Rogers and his complicated relationship with the British a decade after the FIW.

Modelling Rogers’ Rangers

For my Rogers’ Rangers, I’ve turned again to Galloping Major Wargames. GM figures, like those I modeled as my FIW Virginia Provincials, have a chunkier heroic 28mm scale I love for their detail and personality. The ranger miniatures offer some variety of irregular outfits and weapons including muskets and hatchets. Headgear include the signature bonnets as well as tricorn and rounded jockey hats with fronts cut and cocked back to the crown and detailed with white edging.

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The famed short forest green jackets are detailed with lighter green lapels and cuffs finished with silver buttons over earthy red vests. For leggings, I mixed the figures up with colors ranging from a light brown buckskin to a more colorful blue.

Together, I feel my painted Rogers’ Rangers typify how they would have looked as they fought in the fields and forests of 18th-century North America.

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Major Robert Rogers and “Duke” Jacob, a freed former slave who is said to have been a member of Rogers’ Rangers

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French and Indian War: Woodland Indians from Conquest Miniatures

After facing my fear of painting all the details on my first 18th-century British Redcoats, I turned next to North American Indians and another challenge – painting lots of flesh. Getting Indians in the mix with my French and Indian War gaming project was key, and my focus on the era of the Braddock Expedition and the Battle of the Monongahela meant I was going to need lots of Indians. In addition and since both the British and the French allied with different tribes throughout the war, I was going to need a fair amount of variety from the figures I chose.

 

As I entered into modelling my first North American Indians of the 18th-century, I went to two books. Jill Lepore’s The Name of War: King Philip’s War and the Origins of American Identity (1998) focuses on how warfare in New England in the 1670s shaped the mindsets of European settlers as well the native people they encountered. In a follow-up of sorts, Our Savage Neighbors: How Indian War Transformed Early America (2007) by Peter Silver picks up this thread in the Mid-Atlantic colonies of the 1700s as multiple nationalities and ethnicities of Europeans again ran up against a population of natives set on halting the expansion of these new arrivals. Both books are remarkable and still ring as relevant to this day as fear and violence remain a cultural and poltical driver as we Americans continue to grapple with new cultures of people looking to share space.

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With a bit of reading under my belt, I was fortunate to have a fellow member at Metropolitan Wargamers in Brooklyn, NY who had piles of extra Indians from Conquest Miniatures sitting in a box. These metal cast models are now carried by Warlord Games in both boxed sets like the Woodland Indian War Party and in smaller packages. From my friend’s stash and without duplicating poses, I was able to pull out a couple dozen different models to build my initial Indian force. The models show a lot of unique personality and equipment with both traditional weapons (bows, war clubs, knives and hatchets) and European guns. The mode of dress also varies, with some figures wearing only the minimum of a loincloth and leggings while others are in long-sleeved shirts.
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My first Indians get their base flesh coat
As per my usual process at this scale, all the metal was cleaned up, the figures were based on washers and the bases were filled in roughly with wood putty. After a black spray coat, the first challenge was in finding a proper flesh tone to represent Native woodland Indians of northeastern North America. I read a lot online debate on how to capture the skin tone of a varied people, so I settled on a two-part process of my own.
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A second lighter flesh coat is added
Over the black primer I applied a first coat to exposed skin areas using a 50/50 mix of red and dark brown paints. As the paint was drying, I immediately noticed the skin was a good dark color but translating as overly red even at arm’s length. In order to preserve the richness of the color while also tempering the bright redness, I gently dry brushed a coat of light brown over all the skin areas again. Once dried a second time, I felt I had a fairly decent tabletop rendition of skin tone capturing the creases, shadows and shape of the bared muscles without tipping into caricature.
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Details in equipment and clothing begin to be blocked out
As opposed to the sameness of European uniforms of the FIW period, the real fun in painting these Indian models is in the imagination that can be put into them. Not surprisingly, there’s not much of a detailed historic visual record of exact modes of dress for Native Americans of this period. With that, I let my creativity reign. Most leggings, loincloths and satchels got a basic leather brown color with fringe highlighted in slightly lighter brown. Jewelry such as necklaces, earrings and bracelets got a mix of metallic and red, blue or green colors to represent precious stones or trade beads.
Since decoration was very prominent with most tribes of the Northeast, all bags, leggings, belts and other gear got a mix of geometric patterns applied to represent this native craftsmanship. Detail also extended to some of the flesh on the models, with most receiving body paints or tattoos in red, dark blue, black and white. In the end some of the figures wound up with their arms, heads or even entire torsos covered in paint.
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Painted models are finished off in a woodland-like basing mix
While half the models carried the look of their native cultures, the other models sported more European-style clothing with long shirts, blankets and leggings, all of which were done in various colors. I especially liked one figure who seems to be striding along proudly wearing a captured British red coat. With everything painted, the bases were finished with Green Adirondack ground cover from Scenic Express.
My first two dozen completed Indians wound up dividing nicely into two groups of twelve. This will make them easier to identify as diffrent units on the same side or different tribes altogther choosing to swing their aliance to the opposing British and French.
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