The French and Indian War (1754-1763) called for new tactics for old, professional armies steeped in traditional European warfare. With hostilities among French, French-allied Indians and Canadians, British and colonists of all stripes erupting over territorial disputes on the frontier of North America, locally-mustered soldiers were of paramount importance to all sides.
Robert Rogers, born in Massachusetts of Irish immigrants in 1731, was key in raising forces in New Hampshire for the British in the mid 1750s on the eve of the conflict. With animosity toward Indians in the region, his recruits formed what came to be known as Rogers’ Rangers. Operating out of Northeastern and Central New York, the company of some 600 men who formed Rogers’ Rangers participated in some of the key actions of the war including the Battles on Snowshoes and the Battle of Carillon, both in 1758.
Aside from his leadership during the FIW, he also contributed significantly with his “Rules of Ranging.” Written in 1757, the 28 rules provide an outline for the discipline and tactics which defined Rogers’ own brand of guerilla-style wilderness war. So visionary in their combination of Native American style warfare with some European principles for the rules of war, some version of these have been used by US Army Rangers to this day.
Following the end of the FIW, Rogers continued to work with the British military during Pontiac’s Rebellion that swept through the Great Lakes in 1763-1766 and finally during the American War of Independence in the 1770s and 1780s. Despite having devoted his entire adult life to warring on behalf of the British in North America, Rogers died in 1795 poor and in obscurity in England at the age of 63.
Rogers’ Rangers in Popular Culture
Robert Rogers has managed to hold considerable space in pop culture for generations. Even though his alliances were with British rule during his decades-long career, his legend rests squarely within a particular type of colorful American frontier character who succeeds by breaking the rules and forging his own path. The persistence of his legacy has been helped by comics, books, movies and TV shows that continue to today.
Northwest Passage, the 1937 bestseller by Kenneth Roberts, probably did the most keep the legacy of Rogers alive in pop culture. The book’s popularity led to a 1940 MGM epic starring Spencer Tracy. Nearly two decades later, Rogers came to life anew in a 1958-1959 NBC half-hour show of the same name. This time Buddy Ebsen portrayed the famed ranger during the post-World War II boom in western and frontier pop culture.
The modern iteration of Robert Rogers appears in the AMC series TURN: Washington’s Spies, now into a fourth season. While the story focuses on the spy network surrounding New York City in the early days of the American Revolution, considerable space is given to Rogers and his complicated relationship with the British a decade after the FIW.
Modelling Rogers’ Rangers
For my Rogers’ Rangers, I’ve turned again to Galloping Major Wargames. GM figures, like those I modeled as my FIW Virginia Provincials, have a chunkier heroic 28mm scale I love for their detail and personality. The ranger miniatures offer some variety of irregular outfits and weapons including muskets and hatchets. Headgear include the signature bonnets as well as tricorn and rounded jockey hats with fronts cut and cocked back to the crown and detailed with white edging.
The famed short forest green jackets are detailed with lighter green lapels and cuffs finished with silver buttons over earthy red vests. For leggings, I mixed the figures up with colors ranging from a light brown buckskin to a more colorful blue.
Together, I feel my painted Rogers’ Rangers typify how they would have looked as they fought in the fields and forests of 18th-century North America.
Major Robert Rogers and “Duke” Jacob, a freed former slave who is said to have been a member of Rogers’ Rangers
Much of the fighting in the North American colonies for the French in what is known as the French and Indian War was in fact conducted by French-Canadians. As early as the 1740s, Canadians born in New France made up the majority of forces allied with Native Americans in staving off the spread of British settlers into the contested Ohio Country. Years prior, Canadian militia had cut their teeth fighting New England settlers during King William’s War (1688-1697) and Queen Anne’s War (1702-1713).
Well-versed in moving and fighting through the wilderness, these French-Canadian militiamen proved to be highly effective during the FIW against British regular forces yet to adapt to a very regional style of warfare. Their successes at the Battle of Fort Necessity, the Battle of the Monongahela and the Battle of Fort Oswego dealt hefty blows to the British war effort. Irregularly clad in rugged back country clothing and armed with muskets and native hand weapons, the Colonial French militia struck a rugged look as they fought on behalf of the French Crown in Europe.
I’ve begun building out my 28mm French Canadian Militia with a small pack of metal models from North Star Military Figures. Although many companies manufacture figures for the period, North Star serves as the official product line for the popular Muskets and Tomahawks skirmish game.
The main joy of painting these figures is in the variety and personality struck in each model’s clothing, equipment and pose. The imagination can really run wild in painting clothing in a variety of earth tones and muted reds, blues and green. Satchels, often traded with Indians in the period, can also be decorated with geometric patterns mimicking fine native finish work.
The North Star miniatures scale to a full 28mm, a bit taller and heftier than castings from manufactures like Conquest Miniatures and Eureka Miniatures. Those who are familiar with FIW figures from Galloping Major Wargames or Blue Moon Manufacturing will find their equal with these North Star models. That said, the look of these models fit in nicely as part of a rough force fighting the British for control of their frontier homeland of New France.
Blue Moon produces a tight selection of metal 28mm figures in a line called “Drums In The Ohio Valley.” I picked up a box of 30 marching British which includes two commanders, two NCOs, four flag bearers, two drummers and 20 soldiers marching at shoulder arms. The officers all come resting with pole arms, something commonly found in FIW miniatures but little seen in the wooded areas of battle of the period. Four flag bearers were twice as many as I needed and the drummers are nice to have but not necessary at the skirmish scale and rulesets I play. I set these figures aside for another day and turned to the many body of troops.
Blue Moon British stand ready to receive paint
Since these models are going to be sharing the table with my other British from Conquest Miniatures sold by Warlord Games, I made some immediate comparisons in casting and scales. The Conquest figures tend to be a bit thin and lean toward 25mm. The chunkier Blue Moon miniatures are a full 28mm and more heroic in scale. My Virginia Provincials from Galloping Major scale more equally with these Blue Moon models.
Thick base (right) filed to a thinner height (left)
A main factor in driving the size differential among manufacturers is that the Blue Moon British stand overly tall on thick bases. I had been forewarned of this but I was pretty surprised at how this little extra amount of metal made the size noticeably different. With some tedious cutting and filing, I brought them down a bit in height to be a bit more in line with the height of the Conquest models.
Brass rod inserted as a flag pole
The flag bearers also required some small brass rod to be cut and inserted through holes I drilled through their hands. This gave me the excuse to acquire a pin vise drill, a long overdue addition to my hobby kit. In all, there was a lot of prep work on the Blue Moon figures before I could start any painting.
My painting area swarming with British being prepped for painting
The Blue Moon line of figures fits exactly with my focus for the war. I’m painting all my British soldiers of the period to represent the 44th Regiment of Foot mostly for their presence in the Ohio Country, specifically in the Braddock Expedition and the Battle of the Monongahela.
Based and ready for priming
After basing the models on washers, filling the bases with rough wood filler and spraying a black primer coat, I blocked in the colors. I didn’t get carried away on exact colors, relying on a basic red for the coats, waistcoats and pants, basic yellow for the facings and a brown buff for the leggings.
Coats and leggings blocked in starting on hat trim
Details begun on the lapels, turn backs and cuffs
The cuffs were done in two steps, first with a thick bright white stripe and then finished with a thin line of yellow. With a fine brush, white details were added on the basic black tricorn hats and on trim to the waistcoats and lapels.
Equipment straps and white uniform detail progressing
Most colors blocked in and just needing some final details, clean-up and shading
Details were finished off with the same brown buff on stripes and belts, a basic brown to the guns and metal to finish off the guns, bayonets and officer swords. Finally, flesh and eyes were painted. Exposed skin and the leather leggings and straps got a careful light coat of brown wash to finish the painting. I had leftover flag photocopies from my previous British so my standards would all blend together nicely. Finally, the bases were covered with my favorite groundcover – Green Adirondack from Scenic Express.
With French eyes on the contested Ohio Country and Western Virginia, in 1754 British Colonial Governor Robert Dinwiddie called for the raising of provincial infantry to protect the frontier. Commanded by Colonel Joshua Fry and a young Lieutenant Colonel George Washington, the Virginians would be present at the very start of the French and Indian War at an encounter gone badly at Jumonville Glen in Western Pennsylvania in May 1754. Washington’s eventual promotion to Colonel commanding the Virginians in 1755 during disastrous experiences at Fort Necessity and with the Braddock Expedition would shape his future leadership both on and off the battlefield.
I was fortunate to be recently gifted fifteen Provincial figures from Galloping Major Wargamers. These excellent sculpts are on the bigger side of the 28mm miniature spectrum, representing a classic “true 28mm” with stocky, detailed and well-posed figures. The models are equipped so as to represent a variety of the Provincial forces in the British colonies during the era, allowing for a lot of flexibility for painters and gamers.
Charles Willson Peale. George Washington in the Uniform of a British Colonial Colonel. 1772. Oil on canvas. Lee Chapel & Museum, Washington & Lee University.
The challenge in painting models of the FIW period can be in choosing what uniforms to base color schemes on. From my research I was able to tell the Virginia Provincials went through two distinct uniform designs. The first, from about 1754-1755, featured a boldly in red — red coats with red cuffs and turnbacks, red waistcoats and red breeches. The later uniform adopted in 1756 through the end of the conflict featured a dark blue coat with red cuffs and turnbacks, red waistcoats and blue breeches. The 1772 portrait of Washington by Charles Willson Peale captures a heroic depiction of this later uniform style. In reality, both uniforms probably overlapped in use and at times the undersupplied provincial units would have resorted to using whatever equipment and clothing was available.
I chose to paint my provincials in the later blue coats so as to make them stand out from the other allied British redcoats on the gaming table. To my eye, the later uniforms somehow look “more American” as the Virginians exited the war already sowing the seeds of the Revolution against British Crown rule to come over the next two decades.
As stated above, these Galloping Major castings feature some great personality. The command figures, one with a sword drawn behind his back and the other with his pistol at the ready, really carry a lot of presence on the table. The drummer stands resting as is catching his breath before the next command beat through his drum. Even each line figure, either loading or firing, has slight tweaks to their pose or equipment to show each miniature as an individual within the Virginia Provincial Regiment.