French and Indian War: Conestoga and Supply Wagons from Perry Miniatures

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When British General Edward Braddock launched his campaign through the Ohio Country to Fort Duquesne in the spring of 1755, the call went out for wagons. With some 2,000 soldiers at his command, Braddock was a typical commander of the French and Indian War era whose plans rested heavily on the support of local civilians willing to port the tons of supplied needed for a planned siege some 110 miles away.

After initial appeals were largely ignored by a population not particularly pleased with existing British colonial governance, appeals by Benjamin Franklin to his Pennsylvania countrymen finally yielded the needed transports for the campaign. An excellent 1959 publication from the Smithsonian Institution by Don H. Berkebile, Conestoga Wagons In Braddock’s Campaign, 1755, provides great detail on the supply train in Braddock’s campaign. Some 150 locally-provided wagons combined with Braddock’s own to form nearly 200 transports carrying powder, ammunition, food and other goods necessary for such an undertaking into the relatively untamed wilderness. Additionally, Braddock also had five six-pound guns, four twelve-pound guns, three coehorns and four howitzers in tow with the design on breaking French control in the region.

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Map of Braddock’s Road (John Kennedy Lacock, 1912)

Cutting trees, clearing brush, fording streams, blasting rock and transversing the steep hills and mountains of Western Pennsylvania, Braddock’s miles-long force moved along a 12 foot wide path at just two miles a day. George Washington, then a young British Colonel, had cautioned his mentor Braddock against reliance on wagons in the rough wilderness and advocated the use of pack animals instead. Braddock’s column certainly contained dozens of horses and scores of cattle, but the majority of supplies rode on wagons in a European style uniformed by the roughness of North America’s backcountry. When the advance force of Braddock’s line was ambushed at the Battle of the Monongahela by the French and French-allied Indians on July 9, 1755, the soldiers and civilian supply train was thrown into chaos. By the end of the day, the disordered column was in hasty retreat, Braddock was dead and Washington was forever changed after having witnessed the death of his role model.

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Farmer John Shreiner and his Conestoga Wagon, Lancaster County, PA, circa 1910

As Berkebile’s article points out, the exact number and make-up of the types wagons mustered for Braddock’s campaign is unknown. There is no doubt conestoga wagons, invented in Pennsylvania in the 1730s, made up some part of the supply column. State of the art for the era, conestoga wagons became icons of the American frontier for their multiple ton capacity, wide wheels and ruggedness. Other transports such as tumbrels and powder wagons supplemented the carrying load for Braddock.

For my FIW transports I’ve gone with a number of models from Perry Miniatures. Cast in metal and resin, these hefty models are cast with great detail and each are accompanied by civilians who provided the skill needed for the campaign. With five wagons completed, I have plenty of transports ready to represent Braddock’s or other FIW era armies heading into the wilds of the North American wilderness.

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Conestoga wagon by Perry Miniatures

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Two horse lumber with six pound gun by Perry Miniatures

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Four wheeled ammunition wagon by Perry Miniatures

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Two wheeled tumbrel by Perry Miniatures

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Two wheeled powder wagon by Perry Miniatures

French and Indian War: Civilian Workers, Guides and Pack Animals from Fife & Drum Miniatures and Wargames Foundry

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Ask the average person to describe an 18th-century army in the North American colonies during the French and Indian War and you’ll probably get a lot of images of tricorne hats, muskets and guys in regular uniforms marching in lines across open fields. The role of civilians often doesn’t come up, but their importance was of the utmost to armies of the period.

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Map of Braddock’s Road (John Kennedy Lacock, 1912)

When British General Edward Braddock set off into the Ohio Country wilderness in 1755 to lay a planned siege at Fort Duquesne, his column of some 2,000 soldiers also contained civilians. These men (and a couple dozen women) served as scouts, laborers, wagoneers, animal herders, cooks, blacksmiths, carpenters and all manner of other roles commonly found in the era.

On the Braddock Campaign, scouts included backcountry notable, local landowner and fur trader John Fraser. Among the hired teamsters were Daniel Morgan and a young Daniel Boone. The wilderness expertise of these historic figures and those whose names are since lost was key in navigating the miles-long column as civilian laborers hacked their way through the woods of Southwestern Pennsylvania at a rate of just a couple miles a day.

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I found a bunch of civilian figures in the flea market are at this year’s HMGS Cold Wars convention. At just a buck or two each, I managed to snag a nice variety of workers from Fife & Drum Miniatures plus some pack animals and a mounted scout from the Old West line from Wargames Foundry. The metal sculpts provide a lot of unique models which were a nice break from regular poses of the FIW French and British soldiers I’ve been collecting over the past year. Painting the civilians and pack animals also allowed for some less historical freedom and creativity.

My finished figures are going to come in handy as I build out some Braddock-themed scenarios in the coming months. Having completed a few, I’ll also be looking to add more civilians to my forces in support of the masses of troops on my FIW game tables.

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Minden Miniatures laborers from Fife & Drum Miniatures

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Scout and pack animals from Wargames Foundry

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French and Indian War: Colonel George Washington from Eureka Miniatures

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One of the remarkable things about history is how individuals taking part in small events can carry weight across generations and around the world. George Washington was one of these people over and over again throughout his life. Washington wanted nothing more than to rise through the ranks of the British military, earning glory and status as part of what had become the most powerful colonial force of the 18th-century. Three formative events occurred for Washington in 1754 and 1755 as a British Colonial officer on the rise, and his fate would become wrapped up in what would become the French and Indian War.

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“Death of Jumonville”

Art and Picture Collection, The New York Public Library. (1859).

In the spring of 1754, a newly-promoted 21-year-old Lt. Col. Washington in command of the Virginia Regiment was sent into the Ohio Country of Western Pennsylvania to provide assistance to British fort and road construction. Accompanied by Mingo leader Tanacharison (also known as “The Half King”), a dozen Indians and 40 Virginians, Washington encountered a French-Canadian scouting party on May 28, 1754. Washington’s ambush of the French in what would become known as the Battle of Jumonville Glen quickly devolved into The Half King’s surprise killing of the French Canadian commander Joseph Coulon de Jumonville. Although a victory for Washington, the affair rattled the young officer. The event also escalated hostilities between the French and British in North America, contributing directly to the beginning of the FIW.

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“The Night Council at Fort Necessity”

Art and Picture Collection, The New York Public Library. (1856). 

Anticipating French retribution, Washington and his Virginians fell back to a nearby meadow and began work on a hasty stockade fort. On July 3, some 600 French, French-Canadians and French-allied Indians attacked at the Battle of Fort Necessity. Outnumbered with just 400 men, Washington surrendered at day’s end after a rainy, muddy and bloody fight. In signing the terms with the French, Washington may have inadvertently admitted to the murder of Jumonville. Again, Washington’s stature in the British military was used as propaganda in France to further stoke the fires of war in the American Colonies.

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“The Fall of Braddock”

Painted by C. Schuessele, engraved by J.B. Allen, Virtue, Emmins & Co., New York. (1859)

With the war amping up, British Major General Edward Braddock arrived in the colonies in 1755 and set about a campaign deep into the Ohio Country to attempt again to oust the French. Beginning in May of that year, the ambitious campaign began with Washington at his mentor Braddock’s side leading over 2000 soldiers and ten cannon into the wilderness. The troubled and often stalled campaign finally arrived near their destination of Fort Duquesne (at present-day Pittsburgh, Pennsylvania) on July 9, 1755. In the chaotic ambush, hundreds of Indians and French set upon the British advance column. In the ensuing battle Braddock was shot and eventually succumbed. Washington was devastated by the loss of his role model in another emotional loss that would weigh in him for years.

These events in the early career would go on to effect Washington for the rest of his life. His experience in the war and his rise within and eventual rejection by the British military system cannot be understated for how they molded Washington as the leader of the American Revolution and President of the United States.

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Needless to say, if you’re going to wargame the FIW period, you need a little Colonel Washington on the table. For mine, I turned to Eureka Miniatures. For about $10 they offer a metal cast vignette of Washington dismounted holding the reins of his horse and two of his beloved greyhounds standing faithfully nearby.

 

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Despite the charm of the four-piece set, I really wanted to model Washington with his boots on the ground. I’ll save the horse and dogs for some future project, and glued a spare musket to Washington’s extended hand.

For a painting guide, I used the iconic portrait painted by Charles Wilson Peale in 1772. Although painted after the FIW, the image depicts Washington as a proud British Colonial officer of the war years dressed in his Virginia Regiment uniform.

With Washington, I have the charismatic leader from his early career ready to command forces on the tabletop.

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French and Indian War: French Canadian Militia from North Star Military Figures

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Much of the fighting in the North American colonies for the French in what is known as the French and Indian War was in fact conducted by French-Canadians. As early as the 1740s, Canadians born in New France made up the majority of forces allied with Native Americans in staving off the spread of British settlers into the contested Ohio Country. Years prior, Canadian militia had cut their teeth fighting New England settlers during King William’s War (1688-1697) and Queen Anne’s War (1702-1713).

Well-versed in moving and fighting through the wilderness, these French-Canadian militiamen proved to be highly effective during the FIW against British regular forces yet to adapt to a very regional style of warfare. Their successes at the Battle of Fort Necessity, the Battle of the Monongahela and the Battle of Fort Oswego dealt hefty blows to the British war effort. Irregularly clad in rugged back country clothing and armed with muskets and native hand weapons, the Colonial French militia struck a rugged look as they fought on behalf of the French Crown in Europe.

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I’ve begun building out my 28mm French Canadian Militia with a small pack of metal models from North Star Military Figures. Although many companies manufacture figures for the period, North Star serves as the official product line for the popular Muskets and Tomahawks skirmish game.

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The main joy of painting these figures is in the variety and personality struck in each model’s clothing, equipment and pose. The imagination can really run wild in painting clothing in a variety of earth tones and muted reds, blues and green. Satchels, often traded with Indians in the period, can also be decorated with geometric patterns mimicking fine native finish work.

The North Star miniatures scale to a full 28mm, a bit taller and heftier than castings from manufactures like Conquest Miniatures and Eureka Miniatures. Those who are familiar with FIW figures from Galloping Major Wargames or Blue Moon Manufacturing will find their equal with these North Star models. That said, the look of these models fit in nicely as part of a rough force fighting the British for control of their frontier homeland of New France.

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French and Indian War: British Regular Infantry from Blue Moon Manufacturing

 

In continuing to build out my collection of  British Redcoats for the French and Indian War, I’ve turned to Blue Moon Manufacturing — an old standard in wargaming miniatures.

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Blue Moon produces a tight selection of metal 28mm figures in a line called “Drums In The Ohio Valley.” I picked up a box of 30 marching British which includes two commanders, two NCOs, four flag bearers, two drummers and 20 soldiers marching at shoulder arms. The officers all come resting with pole arms, something commonly found in FIW miniatures but little seen in the wooded areas of battle of the period. Four flag bearers were twice as many as I needed and the drummers are nice to have but not necessary at the skirmish scale and rulesets I play. I set these figures aside for another day and turned to the many body of troops.

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Since these models are going to be sharing the table with my other British from Conquest Miniatures sold by Warlord Games, I made some immediate comparisons in casting and scales. The Conquest figures tend to be a bit thin and lean toward 25mm. The chunkier Blue Moon miniatures are a full 28mm and more heroic in scale. My Virginia Provincials from Galloping Major scale more equally with these Blue Moon models.

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Thick base (right) filed to a thinner height (left)

A main factor in driving the size differential among manufacturers is that the Blue Moon British stand overly tall on thick bases. I had been forewarned of this but I was pretty surprised at how this little extra amount of metal made the size noticeably different. With some tedious cutting and filing, I brought them down a bit in height to be a bit more in line with the height of the Conquest models.

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Brass rod inserted as a flag pole

The flag bearers also required some small brass rod to be cut and inserted through holes I drilled through their hands. This gave me the excuse to acquire a pin vise drill, a long overdue addition to my hobby kit. In all, there was a lot of prep work on the Blue Moon figures before I could start any painting.

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My painting area swarming with British being prepped for painting

The Blue Moon line of figures fits exactly with my focus for the war. I’m painting all my British soldiers of the period to represent the 44th Regiment of Foot mostly for their presence in the Ohio Country, specifically in the Braddock Expedition and the Battle of the Monongahela.

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Based and ready for priming

After basing the models on washers, filling the bases with rough wood filler and spraying a black primer coat, I blocked in the colors. I didn’t get carried away on exact colors, relying on a basic red for the coats, waistcoats and pants, basic yellow for the facings and a brown buff for the leggings.

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Coats and leggings blocked in starting on hat trim

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Details begun on the lapels, turn backs and cuffs

The cuffs were done in two steps, first with a thick bright white stripe and then finished with a thin line of yellow. With a fine brush, white details were added on the basic black tricorn hats and on trim to the waistcoats and lapels.

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Equipment straps and white uniform detail progressing

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Most colors blocked in and just needing some final details, clean-up and shading

Details were finished off with the same brown buff on stripes and belts, a basic brown to the guns and metal to finish off the guns, bayonets and officer swords. Finally, flesh and eyes were painted. Exposed skin and the leather leggings and straps got a careful light coat of brown wash to finish the painting. I had leftover flag photocopies from my previous British so my standards would all blend together nicely. Finally, the bases were covered with my favorite groundcover – Green Adirondack from Scenic Express.

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French and Indian War: Virginia Provincials from Galloping Major Wargames

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With French eyes on the contested Ohio Country and Western Virginia, in 1754 British Colonial Governor Robert Dinwiddie called for the raising of provincial infantry to protect the frontier. Commanded by Colonel Joshua Fry and a young Lieutenant Colonel George Washington, the Virginians would be present at the very start of the French and Indian War at an encounter gone badly at Jumonville Glen in Western Pennsylvania in May 1754. Washington’s eventual promotion to Colonel commanding the Virginians in 1755 during disastrous experiences at Fort Necessity and with the Braddock Expedition would shape his future leadership both on and off the battlefield.

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I was fortunate to be recently gifted fifteen Provincial figures from Galloping Major Wargamers. These excellent sculpts are on the bigger side of the 28mm miniature spectrum, representing a classic “true 28mm” with stocky, detailed and well-posed figures. The models are equipped so as to represent a variety of the Provincial forces in the British colonies during the era, allowing for a lot of flexibility for painters and gamers.

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Charles Willson Peale. George Washington in the Uniform of a British Colonial Colonel. 1772. Oil on canvas. Lee Chapel & Museum, Washington & Lee University.

The challenge in painting models of the FIW period can be in choosing what uniforms to base color schemes on. From my research I was able to tell the  Virginia Provincials went through two distinct uniform designs. The first, from about 1754-1755, featured a boldly in red — red coats with red cuffs and turnbacks, red waistcoats and red breeches. The later uniform adopted in 1756 through the end of the conflict featured a dark blue coat with red cuffs and turnbacks, red waistcoats and blue breeches. The 1772 portrait of Washington by Charles Willson Peale captures a heroic depiction of this later uniform style. In reality, both uniforms probably overlapped in use and at times the undersupplied provincial units would have resorted to using whatever equipment and clothing was available.

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I chose to paint my provincials in the later blue coats so as to make them stand out from the other allied British redcoats on the gaming table. To my eye, the later uniforms somehow look “more American” as the Virginians exited the war already sowing the seeds of the Revolution against British Crown rule to come over the next two decades.

As stated above, these Galloping Major castings feature some great personality. The command figures, one with a sword drawn behind his back and the other with his pistol at the ready, really carry a lot of presence on the table. The drummer stands resting as is catching his breath before the next command beat through his drum. Even each line figure, either loading or firing, has slight tweaks to their pose or equipment to show each miniature as an individual within the Virginia Provincial Regiment.

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French and Indian War: Woodland Indians from Conquest Miniatures

After facing my fear of painting all the details on my first 18th-century British Redcoats, I turned next to North American Indians and another challenge – painting lots of flesh. Getting Indians in the mix with my French and Indian War gaming project was key, and my focus on the era of the Braddock Expedition and the Battle of the Monongahela meant I was going to need lots of Indians. In addition and since both the British and the French allied with different tribes throughout the war, I was going to need a fair amount of variety from the figures I chose.

 

As I entered into modelling my first North American Indians of the 18th-century, I went to two books. Jill Lepore’s The Name of War: King Philip’s War and the Origins of American Identity (1998) focuses on how warfare in New England in the 1670s shaped the mindsets of European settlers as well the native people they encountered. In a follow-up of sorts, Our Savage Neighbors: How Indian War Transformed Early America (2007) by Peter Silver picks up this thread in the Mid-Atlantic colonies of the 1700s as multiple nationalities and ethnicities of Europeans again ran up against a population of natives set on halting the expansion of these new arrivals. Both books are remarkable and still ring as relevant to this day as fear and violence remain a cultural and poltical driver as we Americans continue to grapple with new cultures of people looking to share space.

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With a bit of reading under my belt, I was fortunate to have a fellow member at Metropolitan Wargamers in Brooklyn, NY who had piles of extra Indians from Conquest Miniatures sitting in a box. These metal cast models are now carried by Warlord Games in both boxed sets like the Woodland Indian War Party and in smaller packages. From my friend’s stash and without duplicating poses, I was able to pull out a couple dozen different models to build my initial Indian force. The models show a lot of unique personality and equipment with both traditional weapons (bows, war clubs, knives and hatchets) and European guns. The mode of dress also varies, with some figures wearing only the minimum of a loincloth and leggings while others are in long-sleeved shirts.
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My first Indians get their base flesh coat
As per my usual process at this scale, all the metal was cleaned up, the figures were based on washers and the bases were filled in roughly with wood putty. After a black spray coat, the first challenge was in finding a proper flesh tone to represent Native woodland Indians of northeastern North America. I read a lot online debate on how to capture the skin tone of a varied people, so I settled on a two-part process of my own.
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A second lighter flesh coat is added
Over the black primer I applied a first coat to exposed skin areas using a 50/50 mix of red and dark brown paints. As the paint was drying, I immediately noticed the skin was a good dark color but translating as overly red even at arm’s length. In order to preserve the richness of the color while also tempering the bright redness, I gently dry brushed a coat of light brown over all the skin areas again. Once dried a second time, I felt I had a fairly decent tabletop rendition of skin tone capturing the creases, shadows and shape of the bared muscles without tipping into caricature.
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Details in equipment and clothing begin to be blocked out
As opposed to the sameness of European uniforms of the FIW period, the real fun in painting these Indian models is in the imagination that can be put into them. Not surprisingly, there’s not much of a detailed historic visual record of exact modes of dress for Native Americans of this period. With that, I let my creativity reign. Most leggings, loincloths and satchels got a basic leather brown color with fringe highlighted in slightly lighter brown. Jewelry such as necklaces, earrings and bracelets got a mix of metallic and red, blue or green colors to represent precious stones or trade beads.
Since decoration was very prominent with most tribes of the Northeast, all bags, leggings, belts and other gear got a mix of geometric patterns applied to represent this native craftsmanship. Detail also extended to some of the flesh on the models, with most receiving body paints or tattoos in red, dark blue, black and white. In the end some of the figures wound up with their arms, heads or even entire torsos covered in paint.
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Painted models are finished off in a woodland-like basing mix
While half the models carried the look of their native cultures, the other models sported more European-style clothing with long shirts, blankets and leggings, all of which were done in various colors. I especially liked one figure who seems to be striding along proudly wearing a captured British red coat. With everything painted, the bases were finished with Green Adirondack ground cover from Scenic Express.
My first two dozen completed Indians wound up dividing nicely into two groups of twelve. This will make them easier to identify as diffrent units on the same side or different tribes altogther choosing to swing their aliance to the opposing British and French.
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